It was less than a year since the passing of saxophonist LeRoi Moore that the band put together an album based around praising Moore’s life. Rock producer Rob Cavallo was brought in to help put that album together and in June, “Big Whiskey and the GrooGrux King” was released.
Big Whiskey turned out to be a strong album, but it didn’t capture what DMB was. Electric guitarist Tim Reynolds was all over the album, and in a bad way. Dave’s song-writing musically and lyrically was cheesy at best, and in the end, only a couple of songs off the album will be memorable within the fanbase.
Three years later, DMB reunited with Steve Lillywhite, the producer of their first three albums, and he immediately went to work in making the Dave Matthews Band what it was in the early 90’s.